When Blur found themselves stranded after the cancellation of a Japanese festival, they killed time by booking time in a Hong Kong studio, laying down the bulk of what would turn into 'The Magic Whip'. The end result is a record that stands among Blur's best post-'Parklife' work.
It's hard to put a finger on what Alabama Shakes are all about; they draw from a number of sounds and genres, and that's audible on the new album 'Sound & Color', the highly anticipated follow-up to the band's debut, 'Boys & Girls'. And there is no sophomore slump here.
On her fifth studio album, 'Short Movie', Laura Marling has begun a new chapter in her life and her songwriting. It's hard to label Marling a folk artist now that she's picked up an electric guitar and started a band, but David Safar says 'Short Movie' is "the best album of her young career."
Although alternative pop music is a breeding ground for bands aspiring to commercial success on the strength of a single track, Matt and Kim cast aside that formula to create a full-length album that shares the more honest side of their music.
The latest album from Death Cab for Cutie continues the recent trend of alternative artists who explore the sonic depths of the 1980s. The result is a very enjoyable record. 'Kintsugi' releases on March 31.
On their long-awaited sixth studio album Strangers to Ourselves, Modest Mouse demonstrate that they aren't afraid of experimenting in their veteran years while still delivering an album that will go down in history as a classic.
The boundary-busting "prog-grass" quintet have put together a timeless collection of songs that not only show off their musical chops, but comprise a concept album with something to say about our times.
Much like the 'Die Hard' quadrilogy, you don't have to be well-versed in Sleater-Kinney's previous work to be able to understand and adore their latest offering, 'No Cities to Love'. In fact, the new record might be one of the best entry points for new fans that the band has ever recorded.