The new NIN album feels like a familiar friend. There are synthetic sounds that only Trent Reznor and Atticus Ross know how to make; this album is chock-full of those moments, as well as the sounds that give Hesitation Marks a career retrospective vibe.
Neko Case has taken the voice of everything from animals to tornadoes in her songs. On her new album, the ambitiously titled The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You, you get the sense that, for a change, she just might be singing in the voice of Neko Case.
Leading up to the release of Savages' debut "Silence Yourself," the London quartet posted a simple philosophy online: their intention was to "create a sound -- indestructible -- musically solid, written for the stage and designed with enough nuances to provide a wide range of emotions."
Can Edward Sharpe & the Magnetic Zeros break free from the shadow of the behemoth success of their single "Home"? In their latest self-titled album, Edward Sharpe & the Magnetic Zeros may have found something a little bit better: an album that can take the live essence of the band and feature it in a way that feels entirely sincere, experimental, and fun.
Mayer Hawthorne is known for delivering Motown and even Barry White influenced vintage R&B, but his 5th studio album Where Does This Door Go is a little different. He seems to have ditched the retro-soul influenced sound in favor of something a little more modern.
It's weird to say, but That's It!, the new album from Preservation Hall Jazz Band, is about 100 years in the making. Not that the songs are 100 years old, or the musicians, but the spirit and roots of this music harkens back to the earliest days of 20th Century New Orleans jazz, while at the same time taking a cherished institution and pointing it to the future.