JJ Grey & Mofro

with Judith Hill

Doors 6:30 p.m. | Show 7:30 p.m. | 18+

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JJ Grey & Mofro

According to musician, singer, and artist JJ Grey, “The best songs I've ever written, I never wrote. They wrote themselves. The best show I ever played, played itself, and had little to do with me or talent. To me, those things come from the power of an honest moment, and I guess I'm trying to live in that power and not force life to cough up what I want.”

Since his first album, Blackwater, back in 2001, Grey has been releasing deeply moving, masterfully written, funkified rock and front porch Southern soul music. Now, with his new album, Olustee – his tenth and first in nine years, and the first he has self-produced – Grey is back, singing his personal stories with universal themes of redemption, rebirth, hard luck, and inner peace. With his music, Grey also celebrates good times with lifelong friends, oftentimes mixing the carnal with the cerebral in the very same song. Fueled by his vividly detailed, timeless originals spun from his own life and experiences in the Northern Florida swampland, Grey’s gritty baritone drips with honest passion and testifies with a preacher’s foot-pounding fervor.

With Olustee, JJ Grey has once again pushed the boundaries of his own creative musical, lyrical, and vocal talents, delivering an album that is destined to become a stone-cold classic. Many of the songs are all steeped in the mythical Southern stories of his ancestral Florida home and filled with people from JJ’s life. The songs overflow with the sights and sounds of the region as told through the eyes of a poet and sung with pure, unvarnished soul. The album’s ten songs range from the introspective opener The Sea to the raucous, celebratory first radio single, Wonderland, to an escape from an out-of-control wildfire in the title track, to the inward-looking closer, Deeper Than Belief. Singing of his own personal triumphs and struggles, his hopes and desires, his friends and family, Grey’s message is simple and strong: respect the natural world and always try to live in the moment. And never forget the importance of having a good time.

Grey made his recording debut in 2001 with Blackwater, following up in 2004 with Lochloosa. Both albums were released on the Fog City label under the name Mofro, a moniker the young Grey chose to describe his music and sound while still working his day job at a lumberyard. He has since used the word to name his band of world-class players. In 2007, Grey signed with Alligator Records and released a string of five popular and successful albums: Country Ghetto, 2008's Orange Blossoms, 2010's Georgia Warhorse, 2011’s live CD/DVD Brighter Days and 2013’s This River. Ol’ Glory was released on the Provogue label in 2015. Throughout this amazing run of releases, press, radio and years of touring helped catapult JJ Grey & Mofro further into the mainstream.

JJ Grey & Mofro have played countless festivals, including Lollapalooza, Bonnaroo, Wakarusa, Austin City Limits Festival, Byron Bay Blues Festival (Australia), Montreal Jazz Festival, and Fuji Rock (Japan). Over the course of his career, Grey has shared stages with the likes of Lenny Kravitz, B.B. King, The Allman Brothers Band, The Black Crowes, Los Lobos, Jeff Beck, Ben Harper, Booker T. Jones, Mavis Staples, and many others. Grey and his band continue to play over 75 shows a year across the U.S. and around the world.

JJ's songs have appeared in films and on television, including on House Of Cards, Criminal Minds, Bones, House, Flashpoint, Crash, Friday Night Lights, The Glades, The Deadliest Catch and in films including The Hoot and The Gray Man. In November 2009, JJ wrote his first film score for the critically-acclaimed, Emmy Award-winning documentary The Good Soldier, which appeared in theatres and on Bill Moyers Journal on PBS.

Grey, an avid outdoorsman, is a dedicated fisherman, a skilled visual artist (he has designed and drawn the cover art on all of his albums), an avid surfer and he holds an honorary position on the board of the Angler Action Foundation, dedicated to the protection of coastal fish and fish habitat. He has written passionately and articulately about his love for the untrammeled environment of his North Florida home and continues to advocate for its preservation.

From his early days playing cover music behind chicken wire at a west side Jacksonville juke joint, to playing sold-out shows at some of the largest venues and music festivals in the world, JJ Grey has always delivered his soul-honest truths. Now, with Olustee, JJ Grey & Mofro will bring their music directly to fans as they hit the road for a massive months-long tour across the country and throughout the world. AllMusic says JJ Grey’s music is “as authentic as the ground under your feet because that’s where it comes from -- just before it moves, simply and directly, through the body of the listener, into the human heart.”

Judith Hill

On her latest LP, Baby, I’m Hollywood, Judith Hill unveils an ambitious, kaleidoscopic document detailing her journey of self-discovery. The 13-track record was release in March 2021; it's a vibrant, defiant personal statement, a thorough excursion into the annals of Black music: past, present, and future. Rich in throwback soul, stunning piano balladry, and swaggering psychedelic funk, the self-produced Baby, I’m Hollywood finds Hill liberated, focused and reborn. Bolstered by a spirited live band and her new attitude, she ruminates on pleasure, pain, celebration, and consequences, all of which inform this collection of finely crafted stories in song.

“I wanted to personify Hollywood as a woman who’s a survivor. In my career, I’ve been through so many peaks and valleys, and the show must go on. The message is being persistent, bringing all of your pain and your story to the stage”, notes Hill.

Hailing from Los Angeles, CA, Judith Hill comes from a Japanese/African-American bi-racial musical family. Mother Michiko and father Robert (aka Pee Wee) met in a 1970s funk band, and continue to perform in Judith’s backing ensemble, their contributions heard all over Baby, I’m Hollywood. After graduating from Biola University with a degree in Music Composition, Hill took off for France in 2007 to join French superstar Michel Polnareff’s touring band. Inspired upon returning to the States, Judith embarked on a meteoric ascent to soul singer, songwriter, and badass bandleader.

In a prolific, decade-long dream sequence, the singer collaborated with iconic artists across multiple platforms, genres, and mediums. Hill was selected to duet with the late Michael Jackson on "I Just Can't Stop Loving You" during his This Is It concerts in London. After his sudden passing in June 2009, Hill sang lead on a number at Jackson's memorial service, putting her on the worldwide map in an instant. Judith’s rise to fame is explored in 20 Feet from Stardom, the documentary narrated by Morgan Freeman, where her performances helped win a Grammy for Best Music Film.

Hill was wildly popular on the fourth season of hit TV show The Voice, she’s worked with filmmaker Spike Lee, and sang on the official soundtrack to major motion pictures Dr. Seuss' The Lorax and Happy Feet Two. Hill contributed to jazz luminary George Benson's tribute to Nat King Cole. Among other high-profile engagements, Judith was drafted as direct support on arena tours for both John Legend and Josh Groban. The latter invited Hill onstage each night to perform duets, before the pair released the single “Remember When It Rained”.

After discovering the singer on Revolt TV, where she spoke aloud her wish to work with him, Prince summoned Hill to his famed Paisley Park compound. Together they recorded her debut full-length solo album Back in Time, a promising project that the dearly departed genius both produced and played on. Hill received much critical acclaim in the aftermath of the record’s 2015 release; a couple of years later she followed up with a self-produced sophomore LP, Golden Child.

In addition to her prodigious list of collaborators, Judith namechecks an eclectic smattering of inspiration and influence, including Frederic Chopin, Antonio Carlos Jobim, Aretha Franklin, Nina Simone, Tata Vega, the Clark Sisters, Jimi Hendrix, and Stevie Wonder. One can pick up on their nuanced expressions within the fabric of her sound and style. Yet on Baby, I’m Hollywood, the singer arrives right on time, proudly cut from her own cloth, and firmly entrenched in her funkadelic universe.

“Baby I'm Hollywood is about acceptance.... coming to terms with my story and unapologetically stepping into who I am. I want to bring people inside MY soul and help them see past the makeup, stage lights, rumors, and history.....To step out of the shadows of fear and into the light of vulnerability,” said Hill.

Judith Hill’s fantastic voyage springs to life on the title track’s freewheeling '60s soul revue. “Americana" is a syncopated stomp that boasts 808 high-hats and an iridescent soundscape. “You Got the Right Thang” and “Step Out” channel psychedelic '70s funk, with subtle nods towards Minneapolis. Plus potent blends of smokey soulful blues, sizzlin’ R&B slow jams, stirring Gospel-swells and crunchy guitar grooves, all masterfully sewn together by Hill’s scintillating vocals and enigmatic personality.