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Orville Peck, Durand Jones, and Debbii Dawson at the Armory
Orville Peck, Durand Jones, and Debbii Dawson at the Armory Image provided by promoter.

Orville Peck

Tuesday, June 11
6:00 pm

The Armory

500 South 6th St., Minneapolis, MN 55415

Orville Peck

with Durand Jones and Debbii Dawson

Doors 5:30 p.m. | Show 7:00 p.m. | All Ages

Information | Tickets

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Orville Peck

Orville Peck is a country recording artist and songwriter known for his deep baritone voice, strong musicianship and songs that are sincere yet bold in their storytelling. Never confirming his identity, Orville, who is openly gay and lived an itinerant life, is never seen without his signature, fringed mask. Following the release of his self-produced debut album Pony in 2019, Orville signed with Columbia Records and released his Show Pony EP. Released to immediate critical acclaim in 2020, the EP features a duet with global icon Shania Twain and puts Orville’s triumphant songwriting skills and intentional craftsmanship on full display. Orville, known for his unique personal style, has collaborated with many fashion brands including but not limited to Beyoncé’s Ivy Park, Dior, Michael KORS, and Pamela Love amongst others. When Orville is not performing or touring, he lends his time to activism and the causes he is committed to.

Durand Jones

“Hometowns have a way of keeping a part of you,” says Durand Jones, regarding his forthcoming solo debut album. Wait Til I Get Over is a veneration project—an abstracted and contemporary oral tradition that passes story down from (and heaps homage upon) his hometown of Hillaryville, Louisiana.

Jones lays us several courses and flavors of sound that are all distinctly Southern and Black—rhythms heavy with raw, Delta grit; bright exhalations of church spirituals; even tender, cadent spoken word. But most importantly, each track is an arc quite literally grounded in the story, the feeling, and the sound of what it means to go home. Taken as a whole, Wait Til I Get Over joins albums like Sound & ColorA Seat at the Table, and WE ARE as a mesmerizing new addition to Southern Black music, affirming Jones as a uniquely gifted artist and vanguard of the form.

An unincorporated hamlet—cradled along the Mississippi and founded by eight former slaves through reparations—Hillaryville is a tangle of contradictions. We, the listeners, come to know this place through Durand’s view of its history and his own experience of it. What was a flourishing, insulated Black community is now crumbling country lanes. An adolescent Jones’s drive to escape small-town living is replaced by a matured ache of homesickness. We are witness to the ingenuity and determination of making-do. Of making something—anything—everything out of nothing.

With Wait Til I Get Over, Jones forges something undeniably novel out of enduring, existential themes like faith, love, and self-worth.

Debbii Dawson

Debbii Dawson, with her unassuming demeanor and soft voice, captivates audiences, showcasing exceptional vocal ability and musicality. Raised in the rural Midwest as a first-generation American, she challenges musical stereotypes. Breaking divides, her fusion of pop, folk, and country, infused with influences from past icons and her heritage, creates a unique tapestry defying convention. Beginning her artistic journey, Debbii aims to bring healing, unity, and connection, serving as a voice for herself and others. The songstress recently released her debut EP, “Learning” that has been connecting in a profound way.