Radio Heartland presents

Rodney Crowell

with the Secret Sisters

Doors 8:00 p.m. | Show 8:00 p.m. | All Ages

INFORMATION | TICKETS

Rodney Crowell

On his vibrant 20th studio album, Airline Highway (2025), Rodney Crowell explores love, memory, and musical kinship with a new generation of roots artists. Produced with Tyler Bryant and recorded live at Dockside Studio in Louisiana, the album captures a spontaneous spirit—blending Crowell’s storytelling prowess with contributions from Lukas Nelson, Ashley McBryde, Charlie Starr, and Larkin Poe. Inspired by the swamp-pop sounds of his youth and recorded in the heart of Cajun country, Airline Highway reflects on the past while celebrating the present. From the rollicking homage “The Twenty-One Song Salute” to the haunting closer “Somewhere Down the Road,” Crowell delivers a wise, joyful meditation on legacy and letting go.

Rodney Crowell is the songwriter’s songwriter and an icon among giants. Native Texan Crowell is a multi-Grammy Award-winning troubadour with fifteen number one hits. Over the course of his career, Crowell has gracefully blended his own mainstream success as an artist with a prolific catalog of songs cut by the likes of Emmylou Harris, Johnny Cash, Waylon Jennings, Keith Urban, and more, making him a master among his peers.

With more than 40 years of American roots music under his belt, Crowell has also been cited as the architect of Americana music, extending his genre reach, but owing to the distinctly universal, literary quality of his writing, he has also penned beloved songs for artists as diverse as Bob Seger, Etta James, the Grateful Dead, John Denver, Jimmy Buffett and countless others.

A member of the Nashville Songwriters Hall of Fame, Crowell is also the author of the acclaimed memoir, Chinaberry Sidewalks, and teamed up with New York Times best-selling author Mary Karr for Kin: Songs by Mary Karr & Rodney Crowell in 2012, with Karr saying of her collaborator, “Like Hank Williams or Townes Van Zandt or Miss Lucinda, he writes and croons with a poet’s economy and a well digger’s deep heart.” Crowell was honored with ASCAP’s prestigious Founder’s Award in 2017, and that same year released the album Close Ties, which spawned another Grammy nomination for “It Ain’t Over Yet” with Rosanne Cash and John Paul White in the category of Best Americana Song. 2019’s Texas was a collection of Lone Star-centric collaborations with Ringo Starr, Willie Nelson, Ronnie Dunn, Steve Earle, and more, and Crowell’s most recent album release is the 2021 set, Triage.

Crowell came up in Nashville’s songwriting heyday alongside Guy Clark, Townes Van Zandt, and Steve Earle and has continued that legacy of camaraderie and kinship with his peers well into the iconic era of his career. As many say – “your favorite song was probably written by Rodney Crowell.”

Crowell has four daughters and lives with his wife and dog in Tennessee. He writes every day and loves tending to his garden.

The Secret Sisters

Since their 2010 self-titled debut, The Secret Sisters have brought their spellbinding harmonies to songs that untangle the thorniest aspects of life and love and womanhood. In the making of their new album, Mind, Man, Medicine, Alabama-bred siblings Laura Rogers and Lydia Slagle found their songwriting transformed by a newfound sense of self-reliance and equanimity, threading their lyrics with hard-won insight into the complexities of motherhood, commitment, compassion, and self-preservation in an endlessly chaotic world. Centered on a kaleidoscopic sound that boldly blurs the edges of country-folk, the duo’s fifth full-length ultimately confronts many of modern life’s harshest challenges while leading the listener toward a more open-hearted state of mind.

“In our previous records there was a feeling that we had something to prove, but now we’re leaning toward a place of peaceful acceptance and trying to stay immersed in the present,” says Slagle, noting that their shared experience in parenting young children greatly informed that shift in perspective. “There are definitely still moments of frustration and anger on this album, but there’s also a little more light,” Rogers adds. “I think a lot of that came from getting older, and from letting go of the pressure we put on ourselves in the past. We finally reached the point of saying, ‘Let’s just write the songs honestly as we can, and trust that they’ll reach whoever they’re meant to reach.’”

The follow-up to Saturn Return—their 2020 Grammy-nominated LP co-produced by Brandi Carlile and lavishly praised by the likes of Rolling Stone—Mind, Man, Medicine finds The Secret Sisters co-producing alongside Ben Tanner (Alabama Shakes, St. Paul & the Broken Bones) and John Paul White (formerly of Grammy-winning duo the Civil Wars). “On Saturn Return we’d gotten much more confident as far as directing the sound of the record and knowing how to capture our voices in the most honest way, so it felt like the right time for our first foray into production,” says Rogers. The latest in a series of critically lauded releases, the album came to life at FAME Studios (the historic spot in their hometown of Muscle Shoals) and at Sun Drop Sound in nearby Florence, with contributions from such esteemed musicians as Alabama Shakes bassist Zac Cockrell and legendary multi-instrumentalist Larry Campbell (Paul Simon, Willie Nelson, Levon Helm).

Referring to The Secret Sisters’ latest chapter as “one where we seek, savor, and settle,” the duo lifted the title to Mind, Man, Medicine from a lyric in “Same Water”: a gorgeously bluesy meditation on the search for healing in a profoundly troubled world, channeling both weariness and empathy with soulful conviction. “There’s a line in ‘Same Water’ that says ‘Mind or man or medicine/I have tried them all,’ which feels like it encompasses everything we were trying to say on this record,” Slagle explains. “In a lot of these songs we’re struggling with our own minds and emotions, with our relationships, and with whatever we’re using to try to cope and find relief.”

In a lovely introduction to the album’s expansive sound, Mind, Man, Medicine opens on a hypnotic number called “Space.” With its stark yet sprawling arrangement of luminous piano, otherworldly synth, and moody guitar tones—achieved in part through Slagle’s performance on rubber bridge guitar—“Space” infuses an element of dreamy psychedelia into The Secret Sisters’ contemplation of human connection and all its intricacies. “It’s about recognizing that loving someone isn’t always going to be easy, especially when they have a belief or a political leaning that you disagree with,” says Rogers. “It’s so simple to project your desires onto someone else, but in the end you have to hold onto what you love and value about them, even when it gets tough.”

In its lived-in exploration of what holds us together and tears us apart, Mind, Man, Medicine delves further into nuanced social commentary on “If the World Was a House.” “We’ve all heard about moments in history where people collectively experienced something very challenging, but ended up coming out of it stronger,” says Rogers. “When I look at the world around us, it seems like the pandemic didn’t have that effect—if anything, it feels like we’re even more divided now. That song is wrestling with a longing for everyone to take better care of each other, and to recognize that every person you share the planet with matters just as much as you do.”