Veteran Minneapolis rapper tells his own story


Carnage and Desdamona
Together, Carnage and Desdamona make up ILL Chemistry. Carnage beat boxes while Desdamona raps. (Photo courtesy Desdamona)
Mpls. emcee's boasting on new album backed up with voice, experience
Download MP3
| 00:09:27

On the battlefields of hip-hop, boasting is one of a rapper's primary weapons.

On his new CD, "Worth the Wait," Minneapolis emcee 'Carnage the Executioner' repeatedly asserts his superiority. But based on the hardships he's overcome in his personal life and his sheer vocal prowess, Carnage has earned those bragging rights.

The new CD is Carnage's full-length solo debut. It's a chance to share a story of survival that until now the veteran rapper hasn't told -- his own.

Carnage, who's real name is Terrell Woods, is from Chicago. His mom, who raised him without a father, was an alcoholic and drug addict. One of his first memories is of a domestic skirmish.

"Two of my aunts got into a fight, and I was standing in the area and I got knocked down a whole flight of stairs," he said.

His mom moved the family to Minneapolis, where she had an affair with a married man who beat her.

"You want to protect your mom and you don't know what's going on," he said. "We're trying to get in and trying stop it, and we'd get thrown like a wet rag across the room. Then my mom got into alcohol and started drinking really heavily, and we got evicted from a couple of apartment buildings."

When he was 12, Carnage and his sister were placed in foster care, but not before he says he was abused by a male relative. By then Carnage had become a street hustler, stealing food, clothes, and toys when he needed or wanted them. He deliberately stopped short of becoming a burglar or a car thief.

Carnage the Executioner
Carnage the Executioner stands in a Vadnais Heights garage right before a video shoot. Carnage, who's real name is Terrell Woods, has released his full length solo debut, "Worth the Wait." (MPR Photo/Chris Roberts)

"But I'll go and steal a sandwich and some pop and some chips so that I can eat while I'm out today, you know while my mom's at home shooting up," he said. "I knew what I needed to do to survive, and I learned it early on. But I also knew that there was consequences for my actions, so I would only take it so far."

Despite all the negativity and abuse he witnessed as a kid, Carnage says he always knew he would escape it, and he promised himself he wouldn't get sucked back in.

"There was something that clicked at a very early age for me that said, 'You have to be better than what the environment you're in is,'" he said. "There was something there. And I really can't explain it, I'm just glad I had it."


In local hip-hop circles, Carnage is seen as an immense yet overlooked talent who tends to steal shows when he takes the stage. He's best known for some rather astonishing skills as a vocal percussionist, or beat boxer.

"The Superhuman Multitrack" on his new CD is made up exclusively of beats and sounds manufactured by Carnage's mouth.

Carnage performs as a human rhythm section with spoken word artist Desdamona in the group Ill Chemistry. To Desdamona, Carnage's made-up beats boggle the mind.

"Even though he's not saying words, he still like exudes this presence about him," she said. "Sometimes I'm just like, 'What? Where does that come from?'"

Carnage will tell you he wasn't born with that talent. It took years of practice.

"You don't just come out learning how to do that," he said. "You have to condition your face to be able to know how to move like that."

Carnage applies his acute sense of rhythm as a beat boxer to his rhymes, his flow. He's been told that as a rapper he sounds more like a jazz saxophonist.

"Some of the rhymes that I write, like 'Darken,' for example, when I was writing that I was like ... I want this to be more of a conversation," he said. "I want it to be all over the place. But I want it to come back at a point where people can follow it, because people resonate with the downbeat."

Given his microphone skills, some wonder why the 36-year-old Carnage hasn't made more waves as a rapper.

"I think people think of him in relation to other people more than on his own, necessarily," said City Pages music critic Jeff Gage.

After functioning for years as a sidekick or guest emcee for other artists, Carnage is coming into his own, and becoming more of a storyteller in his rapping, Gage said.

"He's been delving a lot into his own personal narrative to do some of that," Gage said. "I think that he's growing a lot in that sense. And considering his natural skills as a rapper, I think there's a lot of potential there for what he can do with it."

Carnage will perform at a release party at the Cabooze on Feb. 17.

Related Stories

  • Can Twin Cities music venues survive a shaky economy? Panic spread through the Twin Cities music scene a few weeks ago when two highly regarded nightspots -- the 501 Club in Minneapolis and the Turf Club on University Avenue in St. Paul -- closed their doors.
  • Bookers pick the best local music of 2010 The 'Best of' lists of local music critics are abundant this time of year, but MPR News asked the people who choose which acts to present at Minnesota venues what they thought was the best local music of 2010.
  • Bob & Ray, masters of subtle satire A pioneering radio duo who some say laid the groundwork for modern American comedy has been captured on a new four-disc set.
  • Tale of the tapes: cassettes make a comeback Though the digital revolution has transformed music, the old formats aren't going down without a fight. In the last five years there's been resurgence of vinyl records. Now, another nearly forgotten music delivery system is making a comeback.
  • Ike Reilly's Thanksgiving tradition means Minneapolis rock and roll Whether it's food, family, or the four-day weekend, Thanksgiving is about traditions. One musical tradition that has come to mark the holiday in the Twin Cities is Ike Reilly at First Avenue. The fiery Chicago rocker and singer songwriter has made his Thanksgiving eve show in the mainroom an annual event. Reilly told Chris Roberts of Minnesota Public Radio's Arts Unit that he and his Minnesota fans have a lot in common.
  • Cloud Cult chases time The Minneapolis indie rock band Cloud Cult brings its orchestral flair, tribal energy, and a new album, to First Avenue's Mainroom for the next two nights.
  • In 'Our Basic Nature,' a radio story fit for an opera Inspired by a radio show about a therapist who tried to raise a chimp as his own daughter, a public reading of the unfinished opera "Our Basic Nature," will be held in St. Paul this week.