Listen to 'Good Times: The Evolution of Black Music,' a weekly show throughout the month of June, spotlighting the many genres and artists that make up the Black Music experience. Episode 2 is about the music that shaped the American music landscape: jazz, blues, and rock and roll.

Sixty songs by contemporary LGBTQIA+ musicians in our orbit.

Since we're getting into grad party season, let's send our seniors off to the big wide world with some musical advice. For today's 9:30 Coffee Break, what songs do you want to hear that offer a bit of advice?

Trivia Week, Day One, features questions about musical houses. As esteemed music writers Chris Riemenschneider and Jessica Hopper face off on the air, you can test your knowledge with five bonus questions.

British alt-rockers Wolf Alice have released their third studio record, 'Blue Weekend'. Ellie and Joff recently caught up with The Current's Jill Riley about recording the album without tight timelines, playing this year's Glastonbury Festival, and more.

Ahead of their seventh studio album out June 11, 'No Gods No Masters,' Jill Riley caught up with Garbage frontwoman Shirley Manson about not holding back on the new record, starting a podcast, and the band's upcoming tour with Alanis Morissette and Liz Phair.

For today's 9:30 Coffee Break in celebration of Record Store Day, what songs do you want to hear that mention records or vinyl?

In a biweekly series of features, we’re inviting Minnesota artists to introduce themselves to our audience. Today: Rachel Lime, an experienced musician who’s emerging as a singer-songwriter. Catch her on Sounds Like Home X, June 24. My name is Rachel, and I’m a songwriter, producer, and performer. I have made music ever since I can…

The New Zealand singer and songwriter, who hasn't released new music since her 2017 album Melodrama, said the song is the first sample of a forthcoming album, also called Solar Power.

From his studio in California, Rostam joins The Current to play songs from his sophomore record, 'Changephobia'. We catch up with the prolific producer, songwriter, and composer about the sequencing decisions he made on the record, incorporating the saxophone as a central sound, and referencing grunge in his work for the first time.