The Swedish singer's third album forms the final installment in a conceptual trilogy — and it's extraordinary as both a collection of songs and a tactical re-wiring of her genre's circuit board.

Merrill Garbus' music finds genius in the ongoing struggle between the orderly and the unknown. tUnE-yArDs' dazzlingly imaginative third album is filled with sudden and arresting left turns.

To celebrate the return of The Replacements to Minnesota, we connected with Trace Hull, curator of the Replacements Live Archive, a blog dedicated to tracking down, digitizing and archiving all Replacements-related recordings, to share his top hometown Replacements gigs

The band, known for its glorious guitar noise, opts for a synthesizer-driven sound.

The new album from R&B's resident provocateur is the embodiment of what she has always contended as an artist: that she can't be molded to fit inside one genre.

Ahead of her fantastic performance at the State Theatre on April 3, St. Vincent came by The Current studios to record a Theft of the Dial with host Mark Wheat.

Aimee Mann and Ted Leo find ways to share the spotlight on their charming debut as a duo. Each singer sounds freshened and energized — never diminished — by the collaboration.

The band's first album in 16 years still showcases the voice and vision of a solitary, brilliant man in a constant tug-of-war with evil, as he imagines it.

Aimee Mann and Ted Leo find ways to share the spotlight on their charming debut as a duo. Each singer sounds freshened and energized -- never diminished -- by the collaboration.

Jack White releases the first track, "High Ball Stepper" from the forthcoming album 'Lazaretto.'