Almost 10 years after 'Take Me Out' helped the band break through commercially, win a Mercury Prize and craft a zeitgeist-defining sound -- and two years after a rumored breakup -- the Glaswegian dance-rock outfit returns with its first new album since 2009.

If Justin Vernon never releases another record under the name Bon Iver -- and he's publicly suggested that that might be the case -- more albums like Repave would render the issue largely irrelevant. His second album with Volcano Choir is just that good.

This week on New Hot, we'll take a look at a duo who revitalized the L.A. punk scene, and a band whose members signed some of the most popular indie rock groups of the '90s. These are our three recommended releases for this week.

Case's gift for disarming commentary carries over to the quotable, thoughtful, frequently lovely songs on The Worse Things Get: She can be bracingly acerbic, boldly inspiring, or achingly tender while conveying equal, virtually boundless charisma.

Subtitled The Bootleg Series Vol. 10, a new archival set revisits one of Dylan's key transitional phases, when he was running from his own burdensome greatness and jumping into the great scrap heap of American musical tradition. Hear 15 songs from the new box set.

Ezra Koenig is the lead vocalist, guitarist, and lyricist of the New York City-based band Vampire Weekend. Between VW's applauded Lollapalooza performance in Chicago and a sold-out show at the Orpheum Theater in downtown Minneapolis, Ezra stopped by our studios to record a Theft of the Dial with The Current's Morning Show host Jill Riley.

Cults, who were thrust into the indie pop scene in 2010 with their self-titled debut and single "Go Outside," are back with a brand new song.

This week on New Hot, we're taking a look at the most recognizable man in gypsy punk, plus a guy from the south who helped create a new music genre with his debut. These are our three recommended releases for this week.

Infused with winning, strident energy, I Hate Music is the sound of a veteran band with its vitality intact, for which fun and fury are essential components of a life thoughtfully lived.

Holter has always had a flair for not only drama, but also the dramatic. On Loud City Song, she looks to the 1958 musical film Gigi for her third album in as many years. A collection of high-concept chamber-pop, it examines resonant themes like loneliness while retaining its mystery.