Have you ever laid on the ground and felt guitar buzz through you? Maybe you’ve attended a 28-hour Drone Not Drones show at the Cedar. Maybe you’ve taken a nap in a tour van’s backseat. Maybe you attended Square Lake Festival in Stillwater this year, soaking up Low’s heavenly new album Hey What through earthly…

Low's 13th studio album captures days like these with plenty of jarring turns and awkward pauses, but also outpourings of humanity cutting through.

The Killers' seventh studio album, 'Pressure Machine' is the band's second release in two years and reflects on frontman Brandon Flowers' hometown of Nephi, Utah.

Screen Violence exhibits all the traits of the classic CHVRCHES sound: strong vocals, strong sentiments, strong hooks. It's a house full of bangers in a time when we desperately need bangers, and CHVRCHES are happy to deliver.

Lorde has let the world grow up alongside her since her teens, and in this chapter, she seeks to grow beyond the heartbreak and turmoil of her adolescence and share her journey to connect to the world far beyond her place in it.

Now on their third album, Jungle sounds confident and joyful. The bombastic freedom of finding happiness in darkness and pushing through adversity pulses through 'Loving in Stereo'.

Describing the album title to Jill Riley, Yola says that Standing for Myself "is as much about standing in my power as much as it is deciding that minimizing myself is not going to win me anything," and, "that title is, for anyone who's listening to it, is to be fully yourself and to satisfy your spirit's will to manifest and be in this world."

'Happier Than Ever' heralds a new era in the already remarkable career of generational songwriter Billie Eilish.

Leon Bridges returns with his third release 'Gold-Diggers Sound,' whose name comes from the East Hollywood studio in which it was recorded. Speaking on the wide range of record, Bridges told The Current, "... it encompasses the multifaceted aspects of life."

Even after years away, The Golden Casket has the Modest Mouse hallmarks: skittery indie rock followed by hooky choruses and catchy riffs, anchored by that voice that's somewhere between early Meat Puppets country/punk and Frank Black's Pixies yelp. Isaac Brock is like someone you meet at a party and spend an evening fascinated by, listening as he spins yarns and theories, a mesmerizing stranger. We don't leave the party friends, but we're captivated, thinking about what he's been saying.