Lianne La Havas's second album could be the release that brings her serious fame. The singer has power, strength and control of her voice -- a skill set that may establish her as a defining voice in the music world.

Jason Isbell's follow-up to his iconic 'Southeastern' album, 'Something More Than Free' is a quiet record, with ample room for self-reflection, with vivid character studies and moments of insight. The music allows for contemplation while showcasing Isbell's talent as a songwriter.

The Chemical Brothers had never made the great album of their career -- until now. 'Born in the Echoes' is constructed as one piece, allowing the tracks to take us on a musical and lyrical trip.

Tame Impala display great agility on their third album, 'Currents,' offering up psychedelic music that's not only trippy and dreamy, but also easy to dance to.

Desaparecidos' first record in 13 years, 'Payola' is an exhilarating, exhausting experience, somehow managing to sustain a remarkable intensity for its full 40 minutes.

The second full-length album from Iceland's Of Monsters and Men projects the experience of a band who have matured together, and it also benefits from the band's decision to return to their unique culture to create an album that is truly from their hearts.

The Current's Album of the Week is Wolf Alice's 'My Love Is Cool'.

On his fourth full-length release, singer-songwriter Kristian Matsson, aka The Tallest Man on Earth, sheds the folky tropes that once earned him the sobriquet 'Swedish Bob Dylan'. On 'Dark Bird is Home', Matsson opts to work with a richer palette, both sonically and thematically.

There's nothing new in rock music, but it can always be done better. Django Django do it better on 'Born Under Saturn', creating a collection of songs that are catchy, inventive, danceable and psychedelic.

It is a beautifully crafted, emotional album with Florence at her most flamboyant, bringing in full-on 70s Stevie Nicks vibes.