The Current's Album of the Week is Wolf Alice's 'My Love Is Cool'.

On his fourth full-length release, singer-songwriter Kristian Matsson, aka The Tallest Man on Earth, sheds the folky tropes that once earned him the sobriquet 'Swedish Bob Dylan'. On 'Dark Bird is Home', Matsson opts to work with a richer palette, both sonically and thematically.

There's nothing new in rock music, but it can always be done better. Django Django do it better on 'Born Under Saturn', creating a collection of songs that are catchy, inventive, danceable and psychedelic.

It is a beautifully crafted, emotional album with Florence at her most flamboyant, bringing in full-on 70s Stevie Nicks vibes.

Led by Bethany Cosentino's engaging vocals and Bobb Bruno's emergence as a guitarist and arranger, Best Coast's third full-length album just may be the one that nudges them from being a good band to a great band.

Hot Chip's sixth studio album is a timeless body of work with heart and soul, cast in a language the musicians developed over several years of being a band.

Mac Wilson writes that 'The Waterfall' -- similar to other My Morning Jacket releases -- offers 'a lot to enjoy, a lot to love, but a lot to sift through to get to the gold.'

Mumford and Sons third studio album reveals the band's ambitions to be more than the alt-folk sound they helped define.

When Blur found themselves stranded after the cancellation of a Japanese festival, they killed time by booking time in a Hong Kong studio, laying down the bulk of what would turn into 'The Magic Whip'. The end result is a record that stands among Blur's best post-'Parklife' work.

It's hard to put a finger on what Alabama Shakes are all about; they draw from a number of sounds and genres, and that's audible on the new album 'Sound & Color', the highly anticipated follow-up to the band's debut, 'Boys & Girls'. And there is no sophomore slump here.