When I think of Nada Surf, I can't help but think of the word "earnest." not only in terms of their heartfelt lyrics, but their striving. This is a band that will always try. If this band were a student, they'd be that moderately-bright kid who consistently delivers B-grade essays, but just isn't cut out for AP.

So what is the sound? I still have no adjectives that work, but where it comes from might be a unique quality of our community at this time, coming from a skill-laden collaboration of artists willing to be brave and knowing that there is an audience out there, on the radio and in the clubs, that is willing to support them when they are.

Van Etten has crafted a record bursting with meticulous sonic details, while also leaving plenty of space -- sonically and lyrically -- for contemplation.

From those who surge to unrivaled exposure in short amounts of time like Polica and Night Moves to experimental artistry that many bands will never match like you find in Brute Heart; from seasoned veterans who claim membership in too many acts to count like Haley Bonar and Halloween, Alaska, to the wild genre-crossing found in Mystery Palace and Doomtree - this thirst to constantly explore and collaborate is what makes the state so unique and active.

What's different in this situation than in that of The Hold Steady is that the musical arrangements are more subtle and sort of mellowed out, allowing the listener to concentrate on the words. His delivery and writing style are true to the "Craig Finn style," littered with themes of religion, character development and solitude.

And through the relationship and career metamorphoses, you can sense that Edwards has been on a voyage. You hear reflection in her lyrics, and you hear transformation in her emotive voice. From an alt-country aesthetic on her early records to shimmery indie-pop on her latest, this "Voyageur" has traveled a long way.

British indie duo the Big Pink emerged in the late 2000s with a noisy electro-pop sound that fit perfectly with the electro-influenced strains of indie rock that have been increasing in popularity in recent years.

All before their first full length was released, Howler has already received international acclaim, most notably from NME which named Howler their #3 Best New Band of 2011 and included Jordan Gatesmith in their list of the 50 Coolest People of 2011.

If their past history is any indication, this should be the first of several new releases for Guided by Voices, which will inevitably find the band shaking off any rust and perhaps even turning up the 'rock' knob a little more.

Already widely acknowledged as the most respected hip-hop artists employing live instrumentation in the contemporary music scene, the Roots have cemented that reputation with their gig as the house band of Jimmy Fallon, proving every night that they can play anything with anybody with out losing their credibility or fire.