Duluth's Low returns with 'Double Negative,' an elegantly woven soundscape highlighting the band's greatest strengths.

Costello is a guy who has done it all musically, from a T-Bone Burnett produced roots/country album to a collaboration with the hip-hop aces, The Roots.

Cat Power are back at the best possible time: during an fall full of melancholy feelings, Chan Marshall returns with her suitably melancholy new album, 'Wanderer.'

There's no roadmap for Atmosphere at this point in their career, there's no hip-hop group that's been at this level of commercial success for twenty years.

In Art of Doubt, Metric have managed to write a dystopian album for the current age. A time capsule of missed opportunities, regret, insecurity, and impostor syndrome. The apocalypse is here and guess what, it's all in your head.

In 1983 he was on the precipice of his greatest success, but he's still our Prince, singing and playing in his home studio in Chanhassen, into a cassette, for himself. And now, for all of us.

Since their debut 'Turn On The Bright Lights,' Interpol has stayed true to their brand of modern rock that once felt like a more decadent version of their post punk and shoegaze influences.

There might not be a more consistent voice in indie rock by an artist with a career that spans over two decades and multiple Grammy nominations. On the new album, Death Cab for Cutie's Ben Gibbard sings about the changing landscape of home and reflects on the relationships orbiting his life.

'Be the Cowboy' is one of the strongest releases of 2018 and further cements Mistki as one of the most exciting talents in music.

Experience a dive into the minds of Vernon and Dessner with Big Red Machine, The Current's Album of the Week.