In Art of Doubt, Metric have managed to write a dystopian album for the current age. A time capsule of missed opportunities, regret, insecurity, and impostor syndrome. The apocalypse is here and guess what, it's all in your head.

In 1983 he was on the precipice of his greatest success, but he's still our Prince, singing and playing in his home studio in Chanhassen, into a cassette, for himself. And now, for all of us.

Since their debut 'Turn On The Bright Lights,' Interpol has stayed true to their brand of modern rock that once felt like a more decadent version of their post punk and shoegaze influences.

There might not be a more consistent voice in indie rock by an artist with a career that spans over two decades and multiple Grammy nominations. On the new album, Death Cab for Cutie's Ben Gibbard sings about the changing landscape of home and reflects on the relationships orbiting his life.

'Be the Cowboy' is one of the strongest releases of 2018 and further cements Mistki as one of the most exciting talents in music.

Experience a dive into the minds of Vernon and Dessner with Big Red Machine, The Current's Album of the Week.

Bad Bad Hats return with their sophomore record 'Lightning Round,' out now on Afternoon Records.

The Internet returns with their fourth studio album 'Hive Mind,' out now on Columbia Records.

Amanda Shires' 'To the Sunset' is a standout record for these dog days of summer.

Jim James returns with his latest release, 'Uniform Distortion,' out now on ATO Records.